Tools for Teaching or Discovering the Mid East

I just returned from the Middle Eastern Studies Association (MESA) annual conference, which was held in Denver this year. I am still digesting all that I learned there. While attending a meeting of an affiliate group within MESA called Middle Eastern Outreach Council, I learned about three websites that are fabulous resources for anyone studying the Middle East, including regional languages.

Center For Near Eastern Studies is a project funded by the U.S. Department of Education and UCLA is a language site to help entice high school and college students to study Farsi, Arabic and Turkish. Unique features of this language learning website includes videos of Turkish, Farsi and Arabic speakers talking in their native languages and alongside their images are transliterations that highlight the phrases the speakers are saying.

Another resourceful site is Fifteen Minute History, Not Even Past, developed by Christopher Rose, Director of Public Engagement at the Center for Middle Eastern Studies, University of Texas at Austin. This site features pod casts of graduate students and other professionals about the Mid East. The topics meet Texas cirriculum standards for classroom but the interviews are meant for a wider audience.

More to come about this conference...

Interested in International Lit? Visit World of Words

Check out my recent post for the Author's Corner on the University of Arizona website for WOW! World of Words...a site devoted to international literature.

http://wowlit.org/books/authors-chair/anahitas-woven-riddle-night-letter/

Coming soon, a recap of the International Board on Books For Young People's World Congress in London...

Spotlight on The Storyteller Bookstore

I recently had the pleasure of meeting Linda Higham, an independent bookseller and owner of The Storyteller Bookstore in Lafayette, CA. She brought oodles of copies of my new novel set in Iran, Night Letter, as well as the re-issue of its companion novel Anahita's Woven Riddle, to my reading at the new and gorgeous Walnut Creek Library.

Linda has owned her bookstore for over 20 years. About her secret to success, she says, "My employees are educators and librarians who are dedicated to children's literature, and the surrounding community is loyal to our store."

I'd like to thank the people who attended my talk at the Walnut Creek Library despite that it competed with the San Fransisco Giants game. I enjoyed our converstation.

Mongolian Storytelling at IBBY London

Greetings from the International Board on Books For Young Readers (IBBY) World Congress in London! The event took place at the Imperial College London August 23-26th. I had the opportunity to speak at this conference on "Why I Wrote About an Iranian Heroine." It was fantastic to meet writers, editors, librarians and educators from all over the world. In future blog posts I will introduce you to several of the people I met.

This cartoon was drawn by the Mongolian storyteller Dashdondog Jamba. He said it is a protrait that he drew of himself when he was five years old. You might notice his small ear, drawn this way because when people annoyed him with what they said. His right hand has more fingers than his left because he uses it more often than the other hand. And, he has many legs because he is always running around doing chores for everyone.

I met another writer from Mongolia Ligedeng Orlet. He has written novels for kids and adults and explained that hardly any Mongolian literature is translated into languages other than Chinese or Russian. They also do not have much literature from around the world translated into Mongolian. This is a situation he would like to see improved.

Dashdondog Jamba (right) and Ligedeng Orlet at the reception for the Hans Christian Anderson awards.

Click on the following link to hear Dashdondog telling a story in Mongolian language.

Persian Poet Hafiz's Advice for Writing Across Gender

For the last month I have been writing to publishers and authors for permissions to use their work in my forthcoming novel Night Letter (Nortia Press, November 2012). This can normally involve a fee. I liked how the poet and translator Daniel Ladinsky requested that I purchase two copies of his book A Year With Hafiz for "the fee." I did so just yesterday at my independent bookstore, Aunties. I enjoy Ladinsky's interpretations and the poetic license he takes with Hafiz's work. I think the more spins on the great Persian poets' work, the better for contemporary readers to get a sense of who these ancient poets might have been.

In keeping with the tradition of opening Hafiz's work to any page, and finding wisdom in the poem one finds, I did this last night and found wisdom for writers who like to write "out of gender" or about races and cultures other than their own. This topic has been hotly debated over the years. I thought you might like to hear how Hafiz weighs in, through Daniel Ladinsky's filter, but I would be breaching the copy right by reproducing the whole poem here. The poem, in essence, is about a young woman who approaches Hafiz and asks him how it feels to be a man, and he replies that the better question would have been, "How does it feel to be a heart?"

Please see the whole poem "How Does It Feel To Be A Heart?" in Daniel Ladinsky's latest collection, on page 226.

Awed By ALA!

I have just returned from the annual American Library Association Conference where I was signing advanced review copies of my new novel Night Letter (Nortia Press, November, 2012) at the Consortium booth. I enjoyed chatting with so many librarians and attendees and am still awed by all the enthusiasm and curiosity people held for the novel's setting, Iran and Uzbekistan. I hope those of you who waited in line for an arc enjoy this tale.

I am deeply appreciative to the YALSA members for organizing the Coffee Klatch, where I was able to meet many of you. Please check on my website from time to time for additional book giveaways and material that pertains to this novel that might be useful in the classroom, library or to book groups. Study guides are now available on my website under Teachers' Resources.

It was also an honor to be present for the first-ever Carnegie Medal Award ceremony, hosted by the chair of the awards committee, Nancy Pearl, and others. Anne Enright's novel "The Forgotten Waltz" and Robert Massie's biography "Catherine the Great" have won the Andrew Carnegie Medals for Excellence in literature. It was a real treat to "meet" Anne Enright virtually during the awards night, she spoke to us via a video recorded from Ireland. Perhaps this video is available on line.

Not least, for the best in Children's and Young Adult Literature...hats off to Newbery Award Winner, Jack Gantos (I heard his speech was halarious); Caldecott Winner Chris Raschka; and Printz Award Winner, John Corey Whaley, whose acceptance speech was uniquely delivered in book titles. 


More details about ALA authors to come...

Visiting Orhan Pamuk's Museum of Innocence

This April I traveled to Turkey to participate in a trek along the Lycian Way on the southwest coast of Turkey (which I will write about in a subsequent post) and to experience the opening day of Orhan Pamuk's Museum of Innocence. For those who might not know, Orhan Pamuk is a writer from Istanbul who won the Nobel Prize in Literature in 2011. He is author of many novels and a collection of essays. His latest novel Museum of Innocence, a story about love and obsession, gave rise to the world's first museum based on a fictional character.

I didn't travel to Istanbul just to see the museum created by a nobel prize winner, I went to celebrate the grand opening with my Turkish friend, Deniz Aral, the managing director of the Museum, the woman who pulled it all together.

"I wore many hats. Upon accepting the position, I became a construction manager, a museum catalogist, a personnel manager, a gift store entrepreneur, a paralegal, a publicist, and trouble shooter."

Pleased with the way the Museum turned out, Deniz greeted scores of guests on Saturday, April 28th, including Orhan Pamuk's attorneys. The public was admitted in groups of about 60 to respect the fire codes in the neighborhood in which the museum, a period piece house, is located (see image below). It made for pleasant viewing of the many vitrines exhibiting memorabilia that pertained to the novel and the time period of the book's setting. My favorite piece was the wall of cigarette butts, which Pamuk's character Kemal pocketed after his lover snuffed them out. (There is a photo of this wall provided in the second link below.)

Even the crowd outside the Museum of Innocence was a kind of attraction. Here Deniz joked with a neighborhood dog trainer after the closing on opening day.

                                                                       

The following New York Times article offers more details of the event and about Orhan Pamuk: https://myaccount.nytimes.com/auth/login?URI=http://www.nytimes.com/2012/04/30/books/orhan-pamuk-opens-museum-based-on-his-novel-in-istanbul.html&OQ=Q5fQ72Q3dQ32


This link offers images inside the Museum: http://www.nytimes.com/slideshow/2012/04/30/arts/design/20120430PAMUK-6.html